While the Apocalypse – Blog
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If you walked into an exhibition featuring work from Tamara Kostianovsky in recent years, you likely encountered life-sized carcasses dangling from meat hooks. The Argentine-American artist (previously) is perhaps best known for these carnal sculptures of bone and flesh made from patterned fabric scraps. Newer additions include botanical vines winding through ribs and tropical birds perched inside that vacillate between beauty and brutality.
“I see these works in terms of metamorphosis,” Kostianovsky says. “The idea is to transform the image of the carcass from a place of carnage into a matrix where life takes root—in the manner of a utopian environment.”
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